Rokkor ロッコール
May 1955 - October 1958.
April 1973 - December 1988.
Monthly
Founding Publisher: Chiyoda Kōgaku Seikō ( Tokyo)
Founding Editor: Tamada Ken’ichirō
Rokkor was a successor to Minolta News ( founded in 1950, monthly.) and was a corporate promotional magazine for the camera manufacturer Minolta.
Tamada Ken’ichirō hired Horiuchi Seiichi as art director, with the intention to provide a fresh editorial approach that went beyond simple company public relations.
Horiuchi Seiichi was, just like Yamagishi Shōji, the celebrated editor of Camera Mainichi, a towering figure in in magazine design.
He worked for weekly magazines, fashion magazines, and corporated promotional publications.
Rokkor published photographs and theoretical essays by younger photographers.
At the end of the 1950s, Rokkor’s editorial office in Ginza was a hangout for photographers such as members of the Vivo collective * as well as photo critics such as Fukushima Tasuo and Shigomori Koēn.
It became a bimonthly in April 1958 and was suspended in October 1958 after 39 issues.
It was revived as a quarterly in April 1973 and became a monthly again in October 1975.
In January 1989 the name was changed to Photo Wave.
* Vivo - the 6 photographers, Narahara Ikkō , Kawada Kikuji, Hosoe Eikoh, Satō Akira, Tanno Akira and Tōmatsu Shōmei, formed Vivo in July 1959 as a self-managed agency for the distribution of their own work. The group set up a cooperative office and darkroom in the Ginza district, Tokyo.
Vivo disbanded two years later in June 1961.
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On the cover typecal 1970s model photography by Shinoyama Kishin.
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